Craft Beer and ComiCon - the perfect match
(Especially if you actually went inside)
The idea seemed simple enough.
I was going to Toronto ComiCon anyway, and I write a
beer blog. Surely there was a connection between pop culture and craft beer?
Turns out there is. Or ‘are,’ because there are
plenty of connections, as you could say craft beer lovers are the geeks of the
beer swilling world. But the connection I found was in a small brewery out of Chicago
called Arcade, which has produced Six Pack Stories, which is essentially a comic on beer. An
original story written across six beers, in fact, with some big names in the
comic industry involved.
And the
artwork on the first Six Pack Stories was created by Tony Moore of Walking Dead
fame, who just happened to be appearing at Toronto ComiCon.
Bingo.
So
with my media credentials in order, I put the word out to my pals that we’re
going to ComiCon. Don has way more comics than I (my taste in comics, like my
taste in beer, is more narrowly – read IPA – focused) so he was an easy sell.
Cat, who had a less than pleasant experience at her last ComiCon appearance (it
wasn’t ComiCon’s fault, she says) was a bit tougher to win over.
“But
we’re going to C’est What, that great craft beer pub on Front Street, after the
show,” I tell her. “Why didn’t you say so,” she shoots back, adding that she
had been to C’est What before. “I’m in.”
(I’m
discovering that there are very few bars she hasn’t visited before, but that’s
fodder for another blog.)
So on
the day of the show I park my car at Cat’s north Toronto apartment complex and
we head down to the Metro Toronto Convention Centre to meet up with Don, who
was coming in from Burlington.
After
a stop at Amsterdam Brewery for ‘gifts,’ Cat says.
And
just around our pre-arranged meeting time we get a text from my clearly
agitated college chum, who is, we learn, just a few hundred metres away.
“Help!
I’m stuck in a stairwell and I can’t get out.”
Turns
out his colour blindness (it’s a red/green thing) and some natural-born
deficiencies were conspiring to make it difficult to pay for his parking and
get the hell out of the underground parking lot.
A
passing family took pity on the man and he eventually appeared at the
convention centre, obviously in need of a drink.
“I
brought that bottle of City and Colour Imperial Wheat. That should help,” I
offer, concern in my voice.
|
Imperial Maple Wheat. That is all |
So we
walked out the front door and plunked ourselves down on some park benches,
brought out a lighter to open the bottle and some plastic glasses Cat had
liberated from Amsterdam Brewery on the way down and enjoyed a drink or two of
this tasty, 11.5 per cent sugar bomb from Flying Monkeys. Just like some fancy
pants downtown hobos.
Suitably
refreshed, we went back inside to get tickets to the show. Cat and Don, anyway,
as I was already ready to roll with my
media pass. And seeing the lineup to get tickets was long, I selflessly offered
to get my stuff done inside while they waited.
So I
did. I did the once-around in about 25 minutes, picking up a stack of Daredevil
comics I was missing, finding Mike Del Mundo (a Marvel cover artist who hails
from Toronto) and buying a print of his from an X-Men cover that features cameo
appearances from none other than Rob Ford and the IKEA monkey, and taking a few
pics of the cosplayers and assorted colourful characters that make ComiCon so
much fun.
And I
found Tony Moore as well, where I was able to use my many years of journalism
experience to ask tough questions like:
“Do
you drink beer?”
“Uh,
yes. Yes I do,” stammered the artist, who hails from Chicago and, after some
prodding, cited a bourbon-barrel blonde from Alltech Breweries in Lexington,
Kentucky as a personal favourite.
At
this point my reporter’s notebook is out, which piqued the interest of his
booth mate, who appeared to be either his manager or his wife. Or both.
“No
interviews,” she said, rather sharply. “I cleared this with media,” I answered
back, not quite truthfully. (I had mentioned my interest in Moore in my email
communications with the show’s public relations department but never did get an
answer back.)
She
was less than impressed, but I plugged on for a bit anyway and did learn that
his art work on the Six Pack Stories comic book/beer project was a “favour for
a friend” who is one of Arcade Brewery’s co-owners.
That
earned us both the evil eye from his seat mate, so I wisely thanked him for his
time and moved on.
I’m now
done with my required duties and I figure I should be seeing Cat and Don in the
crowd soon. Cat is tall and Don is wearing his drinking hat, so how hard could
it be?
But
after another walkabout and no sign of them, I return to the lineup area and
find the line moving fine but no Cat and Don. They must be inside and I missed
them, I figure, wishing the bowels of the Convention Centre weren’t a dead zone
for cell phone signals so I could call them.
Twenty-five
minutes and another two fast circuits of the show reveal no tall women (save
for a sexy Super Girl or two) and no drinking hats of any kind. So I travel up
the escalator to see if I can get a signal.
“Glenn.”
shouts Cat when I reach street level and finally contact them. “Where are you?”
“Looking
for you guys at the show, where you’re supposed to be,” I answer. “Where are
you?”
“Across
the street at Steam Whistle drinking beer. I thought you would figure that out.”
“You
ditched me,” I replied, before I realized I had, oddly, lost cell service
again.
What
do I do? I go across the street to Steam Whistle and drink beer with my friends
who had deserted me, of course. (I’m met at entrance by a couple of dudes, by
the way, who take one look at me and tell me that “if I’m looking for Don and
Cat, they’re at the back.” Nice.)
After
we have a drink at the brewery and they beg for forgiveness, we head over to C’est
What, a hipster hangout on Front Street (conveniently located near Cat’s car)
that serves some great food and plenty of craft beer. All of their beer
offerings are craft beer, in fact, and if you don’t believe me you can take a
look at the beer menu that is now on display on my wall.
(I
didn’t mean to do it, C’est What people. Blame Don.)
We
ate well, drank some awesome beers (more on those in the review section at the
end of this blog) and spent some quality time with friends. That and a ton of
colourful pop culture characters made for an interesting and pleasurable day.
I’ll
even overlook the fact that my friends abandoned their pal to drink beer
without me. Maybe.
*
And now…some new beers. At C’est What I had a wee
dram – okay, a pint – of Hopping Mad, a six per cent IPA from Toronto’s Granite
Brewery. It was okay, but nothing to write home about. Smooth, but not nearly
hoppy enough for me.
The second round was much better. I had the
Moralite, from Quebec’s famed Dieu du Ciel Brewery, and it was exceptional.
Very nice. Silky smooth and quite aromatic. A very good beer.
|
The Alchemist (Vermont) and Dieu du Ciel (Quebec). A delicious partnership |
But before we got to the craft beer pub – my first
bar ever that served nothing but craft beer – there was my short visit to the Steam
Whistle brewpub and their famed pilsner. I’ve had this beer before but it was a
long time ago, so I was really tasting it again for the first time. Speaking as
an IPA lover, this was a damn fine beer. Clean and crisp, it tasted like a
pilsner should. Which is good, because this is the only beer Steam Whistle
makes.
That night I got around to trying Narcissism of Minor
Differences IPA from 5 Paddles Brewery in Whitby. To say I was disappointed
would be an understatement. Underwhelming would also be an understatement. It
just flat out wasn’t very good. I know the boys were looking for balance for this
beer, but I think they forgot the hops because I sure couldn’t find any. Sorry
5 Paddles dudes.
I’ll finish with something from Flying Monkeys of
Barrie, one of Ontario’s coolest breweries: the City and Colour Imperial Wheat,
which, as previously mentioned, we drank out of plastic cups in the park in
front of the Metro Toronto Convention Centre. Which is also across the street
(and in full view) of Steam Whistle Brewery, so I suspect that’s where Cat and
Don got the idea to ditch me. But I digress. The Imperial Wheat, a marketing
collaboration with musician Dallas Green and his City and Colour band, is a
thick, maple-syrupy (with some bourbon vanilla added), high-alcohol explosion
of stout-like quality. A third of a big bottle of this 11.5 per cent sugar
blast was enough for me to kick off a Comic Con.
Besides, my Momma taught me it’s always nice to
share.
*
Cheers!